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To close, Ray has chosen his final self-written tune, Gray Blues.
And that's just the opening set of strathspeys (Haughs)!
Choice backing vocals come from Crystal Taliefero and Bekka Bramlett (Delaney and Bonnie's daughter, of course).Even so, the musical content of the album is all beautifully recorded by Tom Joyce, and there's enough must-hear music on Matches And Dispatches to cause me to keep an eager weather-eye out for Nicky's next recording.But is was just as inevitable too, given that Maddy and the Carnival Band have been enjoying immense success with their own seasonal shows and albums for many years, that Steeleye would itself eventually get around to giving the full-on Steeleye treatment to a loosely.The fantastically titled Going Away To Wear You Off My Mind seems to be an amalgamation of a few songs, a practice not unknown in blues circles.Oh yes, and you could well say that "this time he's done it in that he's created an epic by breaking the 40-minute barrier - just!Blue collar hard road romance, the trials of the daily grind and the economic meltdown provide the lyrical bones around which the band wind their threads of pedal steel, fiddle, waltz time percussion and twanging guitars while Farrar's voice weaves its world weary, life seasoned.The hard-edged rocking bagpipe-and-fiddle-fuelled folk-rockery of Wit's End is probably the most fiery number, and Clueless Wife and Jailhouse Jigs buff up nicely, but the remainder verge on trusty cliché: the epic scene-painting of Gairm A'Chuain, the stirringly Runrig stylings of Path To Home, the.In fact many of the tracks come from sessions in various living rooms.But the intervening years have seen a continuing development in their individual and combined artistry that's miraculous, especially noticeable in Denny's singing, which, while retaining its essential rawness, has moved beyond the stentorian and sometimes over-declamatory character of his earlier efforts into the realms.Lyrically speaking, the best tracks on this record are those where Chris seems to take his penchant for storytelling onto a deeper level of expression Sojourner and the title track in particular, with Thirteen Steps and The Crime At Quiet Dell not far behind.And yet there are also significant moments of relative repose: stiller epicentres where textures drift apparently motionless in a kind of impressionistic-baroque way.On this, his third release for Catscan, he serves up a feast of blues styles with some well-known covers, some less well known and throws in a few of his own compositions for good measure.


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